fuckyeahjoyce:

legsbrewster reblogged your photo: theparisreview: “Finnegans Wake is long, dense,…

Still plucking up the courage for this.

It’s just like getting in cold water (say, at the Forty Foot). If you think about it and ease your way in, it’s torture. Just jump!

I remember this!

oupacademic:

The Sonnets in their repeated punning on Shakespeare’s first name make the embedding of the poet himself into the sequence plain. …Whatever their biographical secrets, the poems have an emotional intensity and poetic complexity that make them among Shakespeare’s greatest achievements.”

Read the full Oxford Dictionary of National Biography entry on the life of William Shakespeare, made free until June in conjunction with Poetry By Heart.

Image credit: Shakespere [sic]. Engraved from the Chandos portrait. Image courtesy of the New York Public Library.

“In the heliotropical noughttime following a fade of transformed Tuff and, pending its viseversion, a metenergic reglow of beaming Batt, the bairdboard bombardment screen, if tastefully taut guranium satin, tends to teleframe and step up to the charge of a light barricade. Down the photoslope in syncopanc pulses, with the bitts bugtwug their teffs, the missledhropes, glitteraglatteraglutt, borne by their carnier walve.”

From James Joyce’s Finnegans Wake (p. 349)

Are they on telly?

(via legsbrewster)

Good question: may I sugg est it’s a dream telly? I do believe, we’d have to do some research, that the first televisions were just about starting round about the time JJ was writing his dream book.  what say you?:

(via closertoo)

I’d think it cool if it was - I think Joyce certainly has all the technical terms suggesting electronics of some kind, although of course this may be a dream. The electronics of the mind? The idea of circuits (loops, almost) in the brain - a jittery telly broadcasting half remembered thoughts. Maybe Taff and Butt do work at the pub as barmen, but they’re in HCE’s dreams.

(via legsbrewster)

Those are interesting speculations. I’ll do some reading, soon enough to see whether JJ saw television.If I remember rightly Harry Levin in James Joyce does connect Joyce’s work to radio and film; so why not television. I like your phrase ‘a jittery telly broadcasting of half-remembered thoughts’. After all, a dream is jittery is it not? the things that happen in my dreams range from embarrassing to fantabulous!

(via closertoo)

If the pair are in the book any earlier I must have missed it! Interesting to link Joyce to film - that chapter of Ulysses which looks on many of the characters across Dublin was very cinematic too. Maybe a lot of his work borrows from/influenced cinema - you get the idea of split scenes, voice-overs and other cinematic techniques. (Same with Mrs Dalloway, I recall.)

(via closertoo)

“In the heliotropical noughttime following a fade of transformed Tuff and, pending its viseversion, a metenergic reglow of beaming Batt, the bairdboard bombardment screen, if tastefully taut guranium satin, tends to teleframe and step up to the charge of a light barricade. Down the photoslope in syncopanc pulses, with the bitts bugtwug their teffs, the missledhropes, glitteraglatteraglutt, borne by their carnier walve.”

From James Joyce’s Finnegans Wake (p. 349)

Are they on telly?

(via legsbrewster)

Good question: may I sugg est it’s a dream telly? I do believe, we’d have to do some research, that the first televisions were just about starting round about the time JJ was writing his dream book.  what say you?:

(via closertoo)

I’d think it cool if it was - I think Joyce certainly has all the technical terms suggesting electronics of some kind, although of course this may be a dream. The electronics of the mind? The idea of circuits (loops, almost) in the brain - a jittery telly broadcasting half remembered thoughts. Maybe Taff and Butt do work at the pub as barmen, but they’re in HCE’s dreams.

(via closertoo)

“It shocked him to find in the outer world a trace of what he had deemed till then a brutish and individual malady of his own mind.”
— James Joyce, A Portrait of the Artist as a Young Man (via beware-herebedragons)

(via paltryparadigm)

“The Hamlet dilemma, which today we call neurosis, seems to me to be a symbolic expression or manifestation of man’s plight when caught between the turn of the tides. There comes a moment when action and inaction seem alike futile, when the heart is black and empty and to consult it yields nothing. At such moments those who have lived by illusion find themselves high and dry, thrown up on the shore like the wrack of the sea, there to disintegrate and be swallowed up by the elemental forces. Whole worlds can go to bits like that, living out what you would call a “biological death,” a death which Gutkind calls the Mamser world of unreality and confusion, the ghostly world of Hamlet, the Avitchi of the Buddhists, which is none other than a world of “effects.” Here the unreal world of ideas, dogmas, superstitions, hopes, illusions flounders in one continuous nightmare–a reality more vivid than anything known in life because life had been nothing but a long evasion, a sleep.”
Henry Miller to Anais Nin, 1937 (via rimb-ode)

Me, on having to revise!

(via closertoo)

allthingslibrary:

My all-time favorite collection of short stories—The Dubliners by James Joyce. 

“hevinscent houroines”

fool-injection:

legsbrewster:

- heaven-sent heroines
- heaven-scented heroines
- women of a mere hour: “hour-heroines”

Reminds me of a line from a sonnet by Keats, on a “fair creature of an hour”.

<3 the wake

basically every word in it requires to be parsed on its own terms. 

people would enjoy it much more if they approached it like a 600 page poem rather than a novel

It gets easier as one goes on - I think the ‘first’ page was the one which took me the longest. I agree with you - one does get into a lovely flow of words, phrases and sentences, which doesn’t get dull as the rhyme, metre and line lengths (or rather, sentences) are all constantly shifting. Although it can be difficult from stopping yourself from wanting to know exactly what is going on but perhaps if you spent all your time looking for literal description the book wouldn’t be any fun. When there is stuff which is easier to decipher, great - when not, tough, I suppose! 

closertoo said: Tell them what Joyce told everyone: it ‘s a dream bk written in a dream language and that the language accordindly is not the same as that which we speak or write and think in as the night !

This answer will then lead to another question: “So, what actually happens in Finnegans Wake’? To which my answer may well be: “Earwicker rolls over in bed!”

theyweremonsters said: just say the first thing that comes into your head and you’ll probably be right!

 

devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered

devidsketchbook:

Settlements and City Strategies by Olalekan Jeyifous

This series contains abstracted planimetric drawings and eerily-serene cityscapes that suggest the changing contours of urban settlements. They represent an idea of a degenerate futurism, yet one might find similar typologies and scenes in places such as the favelas of Brazil and North Africa, and in overpopulated cities such as Lagos, Mexico City, and Mumbai. Though outputted digitally, the drawings possess a textured and painterly quality as a result of combining hand-drawn sketches, industrial textures, surfaces of deteriorated paper, and digital architectural models.
A constant interplay between digital and analog processes is important in my work, resulting in a highly layered set of documents. The drawings presented here started out as digital images that were outputted, sketched and drawn over, and scanned back into the computer in order to be retraced, textured, and layered

(via devidsketchbook)

cavetocanvas:

Joel-Peter Witkin, Woman Once a Bird, Los Angeles, 1990

cavetocanvas:

Joel-Peter WitkinWoman Once a Bird, Los Angeles, 1990

mj-arnett:

le-desir-de-lautre:

Vincent van Gogh (Dutch, 1853–1890), Olive Orchard, 1889, oil on canvas, 28 5/8 x 36 1/4 in. (72.7 x 92.1 cm).

Pretty much an automatic reblog when Van Gogh pops up on my dash.